Ray Of Light

Name: Ray Of Light
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フォーマット	CDアルバム
発売日	1998年02月24日
国内/輸入	輸入
レーベル	Wea
構成数	1
パッケージ仕様	-
規格品番	936246847
SKU	093624684725

構成数 : 1枚
合計収録時間 : 01:06:42
Personnel: Madonna (vocals); William Orbit (guitar, electronics); Mark Moreau (guitar); Pablo Cook (flute); Marius De Vries (keyboards, programming); Fergus Gerrand (drums, percussion); Steve Sidelnyk (programming); Donna DeLory, Niki Harris (background vocals). Producers: Madonna, William Orbit, Patrick Leonard, Marius De Vries. Recorded at Larrabee Studios North, Universal City, California. RAY OF LIGHT won the 1999 Grammy Award for Best Pop Album and for Best Recording Package, and was nominated for Album Of The Year. "Ray Of Light" won the 1999 Grammy for Best Dance Recording and Best Short Form Music Video, and was nominated for Record Of The Year. Personnel: Madonna (vocals); Marc Moreau (guitar); Pablo Cook (flute); Marius de Vries (keyboards, programming); Fergus Gerrand (drums, percussion); Mike Bradford (programming); Steve Sidelnyk (drum programming); William Orbit (sound effects); Donna De Lory, Nikki Harris (background vocals). Recording information: Larraee Studios North, Universal City, CA. Photographer: Mario Testino. Translators: Eddie Stern; Vyass Houston. Arranger: Patrick Leonard. Relentlessly contemporary, RAY OF LIGHT pairs Madonna with producer William Orbit, an electronics wizard who has worked with major R&B acts and even such modern rockers as Blur and Depeche Mode. Reportedly, Madonna tried to snare Liam Howlett of high-strung techno-rockers the Prodigy into the project--Howlett claims to have turned her down. But the more dextrous, less in-your-face Orbit was probably a better choice anyway. He provides a dizzying array of soundscapes, incorporating everything from psychedelic-rock guitar to dub-reggae echo and cold, cutting techno beats for what critics are calling Madonna's most committed performance in years. From the slow chill of the album's first single, "Frozen," to the disco-like title track, RAY OF LIGHT finds Madonna embracing the club beats that are her roots while still teetering on the edge of dance-club vogue. It also finds the singer, who has become a mother since her last studio album, in a long-untapped spiritual mode. When the inevitable comparisons are made to Madonna's previous standard-bearer, 1989's LIKE A PRAYER, that may well be the reason.
録音 : ステレオ (Studio)

1.[CDアルバム]
1. 1.
  
  Drowned World/Substitute for Love
  
  アーティスト： Madonna
2. 2.
  
  Swim
  
  アーティスト： Madonna
3. 3.
  
  Ray of Light
  
  アーティスト： Madonna
4. 4.
  
  Candy Perfume Girl
  
  アーティスト： Madonna
5. 5.
  
  Skin
  
  アーティスト： Madonna
6. 6.
  
  Nothing Really Matters
  
  アーティスト： Madonna
7. 7.
  
  Sky Fits Heaven
  
  アーティスト： Madonna
8. 8.
  
  Shanti/Ashtangi
  
  アーティスト： Madonna
9. 9.
  
  Frozen
  
  アーティスト： Madonna
10. 10.
  
  The Power of Good-Bye
  
  アーティスト： Madonna
11. 11.
  
  To Have and Not to Hold
  
  アーティスト： Madonna
12. 12.
  
  Little Star
  
  アーティスト： Madonna
13. 13.
  
  Mer Girl
  
  アーティスト： Madonna

作品の情報

メイン

アーティスト： Madonna

オリジナル発売日：1998年

商品の紹介

気心の知れたパトリック・レナード、先進気鋭のウィリアム・オービット、この２人をプロデューサーに迎えて、全く新しいサウンドを創り出し、全世界で大ヒットを記録した傑作アルバム。

タワーレコード（2009/04/08）

Rolling Stone (5/13/99, p.82) - Included in Rolling Stone's "Essential Recordings of the 90's." Rolling Stone (4/2/98, pp.70-71) - 4 Stars (out of 5) - "...RAY OF LIGHT is her maternity album as well as her avant-dance album....Our Lady hasn't assembled this many songs worth her time since 1989's LIKE A PRAYER....all her desperately chic decor can't hide her rock & roll heart..." Entertainment Weekly (3/6/98, pp.77-78) - "...RAY OF LIGHT is some of the most alluring and captivating music she's ever crafted....Madonna looks for--and finds--a middle ground between her now-old-school approach and the new club music. She dresses her music up with her electronic love..." - Rating: A- Q (10/01, p.45) - Ranked #46 in Q's "Best 50 Albums of Q's Lifetime" - "...Madonna was influential and interested again..." Q (12/99, p.100) - Included in Q Magazine's "90 Best Albums Of The 1990s." Vibe (4/98, p.139) - "...with RAY OF LIGHT's futuristic music and ancient ideals, she's crafted something danceable but decidedly less commercial. Something more cerebral than usual, both sonically and lyrically..." Mojo (Publisher) (p.64) - Ranked #29 in Mojo's "100 Modern Classics" -- "RAY OF LIGHT's radio-friendly grandeur was unmistakably Ciccone." NME (Magazine) (2/28/98, p.43) - 8 (out of 10) - "...RAY OF LIGHT is her most accomplished set for years. It offers a lightness of touch and a depth of feeling unmatched since the glory days of LIKE A PRAYER....here we're drawn into the depths by subtler means..."

Rovi

Returning to pop after a four-year hiatus, Madonna enlisted respected techno producer William Orbit as her collaborator for Ray of Light, a self-conscious effort to stay abreast of contemporary trends. Unlike other veteran artists who attempted to come to terms with electronica, Madonna was always a dance artist, so it's no real shock to hear her sing over breakbeats, pulsating electronics, and blunted trip-hop beats. Still, it's mildly surprising that it works as well as it does, largely due to Madonna and Orbit's subtle attack. They've reined in the beats, tamed electronica's eccentricities, and retained her flair for pop melodies, creating the first mainstream pop album that successfully embraces techno. Sonically, it's the most adventurous record she has made, but it's far from inaccessible, since the textures are alluring and the songs have a strong melodic foundation, whether it's the swirling title track, the meditative opener, "Substitute for Love," or the ballad "Frozen." For all of its attributes, there's a certain distance to Ray of Light, born of the carefully constructed productions and Madonna's newly mannered, technically precise singing. It all results in her most mature and restrained album, which is an easy achievement to admire, yet not necessarily an easy one to love. ~ Stephen Thomas Erlewine

Rovi