Rock/Pop
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Soul Exorcism (Redux) [Remastered]

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フォーマット CDアルバム
発売日 2007年05月22日
国内/輸入 輸入
レーベルROIR
構成数 1
パッケージ仕様 デジパック
規格品番 ROI83002
SKU 053436830024

構成数 : 1枚
合計収録時間 : 01:19:10
Personnel: James Chance (vocals, alto saxophone, organ), Patrick Geoffrois (slide guitar, background vocals), Fred Wells (guitar), Lorenzo Wyche (trumpet), Al McDowell (bass), Richie Harrison (drums), Anya Phillips (background vocals). Recorded live in Rotterdam, Holland in June, 1980. Includes liner notes by James White. James Chance & The Contortions: James Chance; Jerry Agony, Nic North, Al McDowell (bass guitar); Patrick Geoffrois, Lorenzo Wyche, Fred Wells, Richie Harrison , Anya Phillips. Personnel: James Chance (vocals, alto saxophone, organ); Fred Wells, Jerry Agony (guitar); Patrick Geoffrois (slide guitar, background vocals); Lorenzo Wyche (trumpet); Nic North (keyboards, drum programming); Richard Harrison, Richie Harrison (drums); Anya Phillips (background vocals). Liner Note Author: James Chance. Recording information: Rotterdam, The Netherlands (06/1980-??/1987). Introduction by: Anya Phillips. Photographers: Anya Phillips; Patrick Bertholot. Recorded in June of 1980, Soul Exorcism proves that jazz, funk, experimental, and new wave make quite an intoxicating mix when perfected. James Chance sums up the proceedings perfectly in the liner notes, where he states that the music perfectly reveals the essence and soul of New York City (even though it was recorded in Rotterdam). Backed up by a stellar backing band, which Chance himself calls one of the most volatile units he's worked with, the Contortions simply shine. Like most other Contortions recordings, cacophony rears its head from time to time, but that's what the band uses to paint different moods and textures: it's not used haphazardly. The whole album is inspired from beginning to end, and features such great tracks as "I Danced with a Zombie," "Exorcise the Funk," and a pair of interesting covers -- Michael Jackson's "Don't Stop 'Til You Get Enough" and James Brown's "King Heroin." [In 2007 the Roir label reissued the album as Soul Exorcism Redux. Three tracks from a 1987 demo session were added to the end of the track list along with new art work.] ~ Greg Prato
録音 : ステレオ (Live)

  1. 1.[CDアルバム]
    1. 1.
      Intro

      アーティスト: James Chance & The Contortions

    2. 2.
      Don't Stop Til You Get Enough

      アーティスト: James Chance & The Contortions

    3. 3.
      I Danced with a Zombie

      アーティスト: James Chance & The Contortions

    4. 4.
      Exorcise the Funk

      アーティスト: James Chance & The Contortions

    5. 5.
      Disposable You

      アーティスト: James Chance & The Contortions

    6. 6.
      The Twitch

      アーティスト: James Chance & The Contortions

    7. 7.
      The Devil Made Me Do It

      アーティスト: James Chance & The Contortions

    8. 8.
      Melt Yourself Down

      アーティスト: James Chance & The Contortions

    9. 9.
      King Heroin

      アーティスト: James Chance & The Contortions

    10. 10.
      Put Me Back in My Cage

      アーティスト: James Chance & The Contortions

    11. 11.
      Contort Yourself

      アーティスト: James Chance & The Contortions

    12. 12.
      Disposable You #2

      アーティスト: James Chance & The Contortions

    13. 13.
      I Don't Want Nobody to Give Me Nothing

      アーティスト: James Chance & The Contortions

    14. 14.
      Truth or Consequence

      アーティスト: James Chance & The Contortions

作品の情報

メイン
アーティスト: James Chance & The Contortions

商品の紹介

Alternative Press (p.186) - 3 stars out of 5 -- "James Chance single-handedly blurred the lines between jazz, funk and no wave..."
Rovi

Recorded in June of 1980, Soul Exorcism proves that jazz, funk, experimental, and new wave make quite an intoxicating mix when perfected. James Chance sums up the proceedings perfectly in the liner notes, where he states that the music perfectly reveals the essence and soul of New York City (even though it was recorded in Rotterdam). Backed up by a stellar backing band, which Chance himself calls one of the most volatile units he's worked with, the Contortions simply shine. Like most other Contortions recordings, cacophony rears its head from time to time, but that's what the band uses to paint different moods and textures: it's not used haphazardly. The whole album is inspired from beginning to end, and features such great tracks as "I Danced with a Zombie," "Exorcise the Funk," and a pair of interesting covers -- Michael Jackson's "Don't Stop 'Til You Get Enough" and James Brown's "King Heroin." [In 2007 the Roir label reissued the album as Soul Exorcism Redux. Three tracks from a 1987 demo session were added to the end of the track list along with new art work.] ~ Greg Prato
Rovi

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