Roy Ayers: Jazz Is Dead 2

Three months after Adrian Younge and Ali Shaheed Muhammads Jazz Is Dead studio sessions were first manifested with the rotating guest showcase Jazz Is Dead 001, the series continues with its second volume, baring artwork that is consistent but a formal title that is not: Roy Ayers JID002, rather than, say, Jazz Is Dead 002: Roy Ayers. Jazz and soul legend Ayers is credited as co-writer of all eight cuts here, but this is more a continuation of Younge and Muhammads profuse tandem work than a proper entry in the discography of the vibraphonist, who last recorded as a leader in 2004. Then again, this is at least a harmonious convergence, given that the spirit of Ayers Atlantic and Polydor recordings through roughly 1977 can be felt in Younge and Muhammads output dating back to the latters debut with A Tribe Called Quest. Rather confoundingly, Ayers only accentuates these rolling grooves with his lithe vibes and takes no solos. Hes present more commonly as a vocalist, guiding or enhancing group lines (with the likes of the brilliant Joi Gilliam and Loren Oden) that evoke conspiratorial intimacy like the quieter moments of his most treasured sides. Hey Lover, which set the tone for Jazz Is Dead 001, reappears here and doesnt overshadow the newly presented material. Much of what precedes and follows it is up to the same fine standard, predominantly mellow if hot-blooded with Tribe label titans Phil Ranelin and Wendell Harrison adding some intensity with spirited blowing. Even Younges closing monologue seems apt, reaffirming the mother continents standing as the center of the world. Its all fit for coasting into an August sunset. ~ Andy Kellman

〈Jazz Is Dead〉ショウケースから飛び出した第1弾作品は、ヴィブラフォンの魔術師たるロイ・エアーズをフィーチャー。名義とタイトルはこうなっているが、ミッドナイト・アワー組が御大をバックアップした純然たるコラボ作で、のっけから"Everybody Loves The Sunshine"風の"Synchronize Vibration"にウットリさせられること必至。スピリチュアル・メロウからアフロビートまで、レジェンドの足跡に敬意を払ったモダンな一枚だ。
bounce (C)轟ひろみ